Throughout the 1990s, Carmen’s career spanned various theatre companies including the Really Useful Company (Australia), where she was the executive producer. In 2001, Carmen took up the London-based role of executive producer at Clear Channel Entertainment. Later, she became the director of the international production department for Stage Entertainment, responsible for establishing new territories (including Russia, Italy and France), licensing and programming of 25 theatres across Europe and overseeing international productions in Germany, Holland, France, Italy, Spain and Russia. In 2008, Carmen returned to live in Australia and founded Global Creatures with business partner Gerry Ryan, where she also holds the favourite drama is raising her two children, Ned and Millie, with husband Pete.
Currently on Broadway: Dear Evan Hansen (Tony), The Band’s Visit (Tony), The Book of Mormon (Tony), Mean Girls, Pretty Woman and The Ferryman. Other Tony-winning productions: Hello, Dolly!; The Color Purple; Spamalot; The Humans; Curious Incident...; A View From the Bridge; War Horse; A Raisin in the Sun; Skylight; Fosse; The History Boys. Mr. Furman is Vice Chairman of Jefferies LLC, Vice Chairman of Lincoln Center and Chairman & President Emeritus of the Film Society of Lincoln Center. He was National Finance Chairman for the Democratic National Committee in 1992–1993 and National Fund Chair for Harvard Law School for two years.
is Chairman of Global Creatures. He is a Melbourne-based entrepreneur with diverse business interests that span the manufacturing, property, entertainment, leisure and tourism industries internationally. It was Gerry’s strong belief in the potential of Walking With Dinosaurs and his steadfast financial support that launched Global Creatures and allowed a dedicated and hugely talented team to develop the production over years in Melbourne. How to Train Your Dragon Live Spectacular followed and then War Horse, the award-winning hit King Kong, Strictly Ballroom The Musical and Muriel’s Wedding The Musical. Gerry was made a Member of the Order of Australia in 1999.
is at the forefront of innovative stagecraft and spectacular theatricality. Global Creatures’ first venture was Walking With Dinosaurs — The Arena Spectacular, followed by How to Train Your Dragon Live Spectacular. Baz Luhrmann’s Strictly Ballroom The Musical made its West End debut in 2018 at the Piccadilly Theatre. The world premiere of Muriel’s Wedding The Musical, co-produced with Sydney Theatre Company, played a sold-out season at Sydney’s Roslyn Packer Theatre and will tour Australia in 2019. The ground-breaking theatre production King Kong had its world premiere in Melbourne at the Regent Theatre. Visit global-creatures.com for more information.
Jack writes for theatre, film, television, and radio. His theatre credits include Harry Potter and The Cursed Child, Hope, and Let The Right One In, all directed by John Tiffany; Woyzeck, Old Vic; Junkyard, a Headlong, Rose Theatre Kingston, Bristol Old Vic and Theatr Clwyd co-production; The Solid Life of Sugarwater for the Graeae Theatre Company and the National Theatre; Bunny for the Edinburgh Fringe Festival; Stacy for the Trafalgar Studios; 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide.
His film credits include the upcoming Wonder, War Book, A Long Way Down, and The Scouting Book for Boys. His television credits include “National Treasure,” “The Last Panthers,” “Don’t Take My Baby,” “This Is England,” “The Fades,” “Glue,” and “Cast-Offs.” He won 2016 BAFTAs for Best Mini-Series (“This Is England ’90”) and Best Single Drama (“Don’t Take My Baby”), and in 2012 won Best Series (“The Fades”) and Best Serial (“This Is England ’88”).
Marius has won two BAFTAs, an Ivor Novello award, and four Grammy nominations. He is best known recently for his music direction and production on the multi-award-winning musical La La Land, which won 2017 Academy and Golden Globe Awards. Beginning his career playing keyboards for The Blow Monkeys, he has worked with artists such as Madonna, Björk, David Bowie, Rufus Wainwright, Chrissie Hynde, Neil Finn, Annie Lennox, Bebel Gilberto, David Gray, P.J. Harvey, U2, Massive Attack, Elbow, Perry Farrell, Josh Groban, and many others.
In the film and theatre world, he has collaborated with Baz Luhrmann, George Lucas, Andrew Lloyd Webber, A.R. Rahman, Zack Snyder, Daniel Kramer, and Stephan Elliott. De Vries’ long collaborative relationship with Nellee Hooper was responsible for landmark recordings with Massive Attack, Björk, Madonna, The Sneaker Pimps, Tina Turner, and U2, and ultimately the soundtrack and score for Baz Luhrmann’s Romeo + Juliet and the groundbreaking Moulin Rouge. Marius composed the score for Stephan Elliot’s The Eye of the Beholder and Easy Virtue.
In musical theatre, Marius has worked with Andrew Lloyd Webber on Bombay Dreams and the sequel to The Phantom of the Opera, Love Never Dies. He also produced the cast album for Jerry Springer: The Opera. In 2010, Marius contributed score and song productions to Kick-Ass and Sucker Punch, as well as co-producing an LP with Robbie Robertson. Another collaboration with Rufus Wainwright arrived in early 2016, an album of musical settings of nine Shakespearean sonnets, released to coincide with the 400th anniversary of Shakespeare’s death, entitled Take all My Loves. Marius worked on George Lucas’ animated fairytale musical, Strange Magic.
He is now attached to Teen Spirit, starring Elle Fanning, directed by Max Minghella, and earlier this year he signed an agreement with the English National Opera to develop new and adventurous opera-related projects. He is also completing an album with The Pretenders’ Chrissie Hynde.
Eddie is one of Australia’s most diverse, respected and prolific writer/composer/performers, having made his mark in the fields of comedy, music theatre composition, playwriting, screenwriting, classical music, jazz and acting for stage and screen. Perhaps best known for his portrayal of Mick Holland on “Ten’s Offspring,” a judge on “Australia’s Got Talent,” and as the new host of “Play School,” Eddie has won multiple awards for his work both as a performer and a writer.
His stage credits include Baz Luhrmann and Global Creatures’ Strictly Ballroom, Malthouse Theatre Company (Babes In The Wood, Drink Pepsi Bitch, The Big Con), Shane Warne The Musical, Keating! The Musical, Songs From The Middle in collaboration with ANAM, Iain Grandage and the UK’s Brodsky Quartet, Opera Victoria’s The Threepenny Opera and Opera Australia’s South Pacific. His solo music comedy shows (Angry Eddie, Drink Pepsi Bitch, Misanthropology) have received Helpmann and Green Room Awards, touring Australia, New Zealand, Edinburgh and London. His first play The Beast (for Melbourne Theatre Company) was a commercial and critical hit, before touring Australia with Ambassador Theatre Group in 2016.
Eddie is currently writing a new play, Vivid White, for Melbourne Theatre Company, a musical adaptation of Beetlejuice for Warner Bros. Theatricals in New York, and is co-Artistic Director of Adelaide Cabaret Festival.
Bachelor of Performing Arts in Design from the National Institute of Dramatic Art. Bachelor of Landscape Architecture (Hons.) from the University of New South Wales. Helpmann Award for Best Set Design in 2001, 2002, 2004 and 2013. Green Room Award for Best Opera Design in 1998 and 2002. Green Room Award for Best Dance Design in 2005. Mike Walsh Travelling Fellowship in 1997. Pentagon Memorial Design Competition; finalist (with Room 4.1.3) in 2002. Theatre credits include Global Creatures: King Kong (Helpmann Award, 2013). Opera Australia: Sweeney Todd (Helpmann Award, 2002, Green Room Award, 2002), Simon Boccanegra, La Bohème and Madama Butterfly (Green Room Award, 1998). Victorian Opera credits include Orpheus and Eurydice. Sydney Theatre Company: Bloodland, Tot Mom, Woman in Mind, Victory, The Virgin Mim, The School for Scandal, Betrayal and The Jungle. The Shakespeare Theatre Company, Washington DC: Hamlet, Richard III and Titus Andronicus. Bell Shakespeare Theatre Company: Antony and Cleopatra. Bangarra Dance Theatre: Fire, Mathinna, Boomerang (Green Room Award, 2005), Unaipon (Helpmann, Award 2004), Bush, Walkabout, Skin, and Fish. The Australian Ballet: Aesthetic Arrest, Amalgamate and Rite of Spring. Sydney Dance Company and Shanghai City Dance (China): Mulan. Gordon Frost Organisation+SEL: Man of La Mancha and Footloose. Installation and Arena: Global Creatures and BBC: Walking with Dinosaurs – The Arena Spectacular (THEA Award for Outstanding Achievement, 2008. Billboard Award for Creative Content, 2008. Pollstar Concert Industry Award – Most Creative Stage Production, 2009). Global Creatures and DreamWorks Animation: How to Train Your Dragon – The Arena Spectacular. Sydney Theatre Company and IWC Geneva: Notes on a Separation. Adelaide Festival of Arts 2004: Universal Playground. Asia Pacific Triennial festival of Contemporary Art 2007: Kin. 1996 Atlanta Olympics Closing Ceremony: Sydney Handover (Co-designer). Sydney 2000 Olympic Opening Ceremony: Awakenings (Helpmann Award, 2001). Sydney 2003 Rugby World Cup: Avenue of Nations (Installation design). Sisters of St Joseph and Wintergreen Productions: Mary McKillop Museum (Exhibition design). The City of Sydney: Production designer of three New Year’s Eve Celebrations on and around the Harbour, including Millennium.
Sonny’s career has spanned some 25 years in which he has designed and built creatures and contraptions, models and special effects for the film and theatrical industries. His work can be seen in US feature films such as Peter Pan, Ghostrider, The Chronicles of Narnia and Star Wars - The Revenge of the Sith. Television credits include multiple seasons of the US sci-fi series Farscape as lead animatronics engineer and his theatrical credits include puppet making for productions of The Hobbit and The Lion, the Witch and the Wardrobe.
In 2006 Sonny lead the creature design and build team for Walking with Dinosaurs – Arena Spectacular. Sixteen life-size animated dinosaurs were created to a level of realism and sophistication of movement never before seen in live theatre. Following the international success of the show, Creature Technology Co. was formed of which Sonny is CEO and Creative Director. Working with strategic partner Global Creatures, Sonny’s team produced creatures for the arena spectacular of How to Train Your Dragon and King Kong the Musical. The creation of the 1.1 tonne, 20 foot tall King Kong puppet was recognized with a prestigious Helpmann award for Outstanding Theatrical Achievement.
From its theatrical roots Creature Technology Co. has evolved and expanded over its first 10 years, bringing its technologically advanced animatronic creature and puppet design to a variety of entertainment fields. In 2014 Creature Technology Co. successfully designed and built 3 giant animatronic mascots for the opening and closing ceremonies of the Sochi Winter Olympics, witnessed by billions. More recently the company has commenced a significant collaboration with Universal Creative to bring their remarkable creations to theme parks around the world.
Tony Award®-winning designer Roger Kirk has extensive experience as a set and costume designer for theatre, including drama, musicals, opera and special events, as well as film and television. Roger’s credits include set and costume design for Graeme Murphy’s Die Silberne Rose and Le Corsaire at the Munich Opera House – both for The Bayerisches Staatsballet. Roger’s recent work with Opera Australia includes the productions of Manon Lescaut, The Gypsy Princess, Pirates of Penzance and My Fair Lady. Roger also designed sets and costumes for A Little Night Music, Iolanthe, HMS Pinafore, Trial by Jury, Manon and Tales of Hoffman. Roger also designed for Graeme Murphy’s opera Aida. In 1996 Roger received the Tony Award for Best Costume Design for his work on the Broadway production of The King and I. He also received the Drama Desk Award, the Friends of New York Award, and the Outer Critics Circle Award for the same production. In 2001 the highly acclaimed production of The King And I was a popular feature at London’s Paladium Theatre. Roger also repeated the costume design for the Stratford festival production of The King and I in Canada. Roger’s musical credits include sets and costumes for Aspects of Love UK tour and West End; costumes for Jesus Christ Superstar UK tour and Broadway; 42nd Street Broadway, US tour, Stuttgart, Tokyo and Asian tour; Whistle Down the Wind in London; The Boy from Oz in Australia; and Hugh Jackman’s The Boy From OZ Arena Spectacular. He also designed the sets and costumes for Dusty – The Original Pop Diva and Shout!. Roger received the Victorian Green Room Awards for best costumes for Anything Goes, The Boy From Oz and Dusty. Roger was awarded the APDG Cameron Creswell award for Outstanding Contribution to Design. He was also awarded the 2013 Helpmann Award for Best Costume Design for King Kong.
Theatre includes Top Hat, Old Times, Absent Friends, Much Ado About Nothing, The Lion in Winter, The Misanthrope, An Ideal Husband, Carousel, Fiddler on the Roof in London’s West End; In The Republic of Happiness, Love and Information, Jumpy, Our Private Life, Sucker Punch, Cock, The Seagull, Drunk Enough to Say I Love You and Dying City at The Royal Court, London; The Dark Earth and the Light Sky, Parlour Song, Rosmersholm, Cloud Nine and Hedda Gabler at the Almeida; Bull, A Taste of Honey, and Betrayal at Sheffield Crucible; The Last of the Duchess at Hampstead; Heartbreak House at Chichester Festival Theatre; Pictures from an Exhibition at The Young Vic; Scenes from an Execution, All’s Well That Ends Well, The Hothouse, The Rose Tattoo, The Reporter, Exiles at the National Theatre, London.
Opera and Dance include: Madame Butterfly, Faust, Carmen, Peter Grimes, 125th Gala at The Metropolitan Opera House; The Marriage of Figaro for Australian Opera; The Damnation of Faust, Lucrezia Borgia, Elegy for Young Lovers, Punch and Judy, Bluebeard’s Castle, Madame Butterfly for English National Opera; Faster, E=MC² for Birmingham Royal Ballet; Eugene Onegin at the ROH and Los Angeles; La Cenerentola at Glyndebourne; Carmen (also set design), Petrushka for Scottish Ballet; Il Trovatore at Paris Opera; Fidelio, Two Widows, Don Giovanni, The Ring at Scottish Opera; The Midsummer Marriage at Chicago Lyric Opera; The Bartered Bride at ROH. He is currently directing/designing a concert version of The Ring Cycle for Opera North.
Awards include the 1995 Olivier Award for Outstanding Achievement in Dance (Fearful Symmetries and The Glass Blew In by Siobhan Davies for the Royal Ballet), the 2003 Olivier Lighting Award for The Bacchai (National Theatre, London), and the Knight of Illumination Award 2010 for Sucker Punch at The Royal Court. Peter is currently chairman of the Association of Lighting Designers.
Grammy®, Tony®, Olivier and Helpmann Award nominations. Selected Broadway designs include Motown the Musical, Shrek the Musical (New York, US Tour, London), Rock of Ages (New York, London, Toronto, Australia, Las Vegas, US Tour), The Scottsboro Boys, On A Clear Day, Lend Me A Tenor, Elf, Wonderland, Cry Baby, The Times They Are A-Changin’, The Wedding Singer, Sweet Charity, Martin Short: Fame Becomes Me, Little Women, Brooklyn. Other credits include Le Reve at Wynn Las Vegas, Ragtime (London), Rocky Das Musical (Hamburg), How To Train Your Dragon – The Arena Spectacular, Walking with Dinosaurs – The Arena Spectacular, Mame, Opening Doors, Annie. Architectural projects include 54 Below, the Plaza Hotel (New York City), Lake of Dreams at Wynn (Las Vegas), Chicago Auditorium Theatre, Big Bang Theatre at the American Museum of Natural History. He has designed for Carnegie Hall, Radio City Music Hall, Madison Square Garden and The Kennedy Center. Peter is also a producer and engineer for film, albums and television projects. He has engineered television commercials for Sony, Levi’s, General Mills, Kia and Mercedes Benz, to name a few. He co-produced the cast album of Shrek the Musical and was the re-record mixer on his fourth film for the American Museum of Natural History titled Journey to the Stars. He holds a BFA from Carnegie Mellon University.
is an internationally acclaimed director of physical theatre, circus & aerial performance. His work fuses physicality with automation and digital technologies. He has created work for DreamWorks’ How to Train Your Dragon, the Eurovision Song Contest, the Opening Ceremony of the Sydney Olympics and theatrical spectaculars in the Middle East. He is passionate about developing a highly physical theatre for our next generation.
headed the wig/makeup department at the Metropolitan Opera for 17 years. He has designed more than 80 Broadway productions including Wicked, Rock of Ages, The King and I (LCT & tour), Thérèse Raquin, Fiddler on the Roof, Oslo (LCT & London), Falsettos, The Little Foxes, JUNK (LCT), The Parisian Woman and My Fair Lady (LCT).
(Bway/London) Porgy and Bess (Tony nomination - Best Orchestrations), new orchestrations for Les Misérables (performed worldwide since 2006), Legally Blonde, Cry Baby, Grease (2007), Dessa Rose, A Man of No Importance, Wind in the Willows (Stiles & Drewe). Other orchestrations: Do You Hear the People Sing? (symphonic tour of Boublil/Schönberg), Tom Jones (Stiles & Leigh), Just So (Stiles & Drewe), Lady Gaga ("The Sound of Music" - 2015 Oscars, with Stephen Oremus), "The Wiz Live!,” Rufus Wainwright, Radio City Rockettes and Emily Bear. Music Supervisor: Escape to Margaritaville and Memphis. Apprentice to orchestrator William David Brohn: Sweet Smell of Success, Ragtime, The Secret Garden, The Three Musketeers, The Witches of Eastwick, Mary Poppins and Wicked.
is excited for the opportunity to work on this beast of a show! Originally from the Pacific Northwest, he enjoys hiking & glassblowing in his free time. NYC: Groundhog Day, Matilda, A Christmas Story, Shrek, The Book of Mormon, Mean Girls, Rent. TV: “A Christmas Story Live!” Tours: Hair. Love and thanks to my family & friends for their support. @gacetta
David Caddick was born in England and studied Piano, Organ and Conducting at The London College of Music and The Royal College of Music. He lives in New York. Music Director for the London productions of Jesus Christ Superstar; Evita; Cats; Song & Dance. Music Director and Supervisor of the original productions of Starlight Express, The Phantom of the Opera, Miss Saigon, Sunset Boulevard, The Fix, The Witches of Eastwick, Mary Poppins and Strictly Ballroom. Executive Producer for the Broadway productions of Oklahoma! and Putting it Together; Music Director for the world premiere of Stephen Sondheim’s Bounce; Music Director for the film of Evita starring Madonna. He served on the Tony Awards nominating committee and on the New York board of The Recording Academy. He’s won two Grammy Awards for producing the cast album recordings of Les Misérables - Complete Symphonic Recording and West Side Story; he produced cast album recordings of Oliver, Oklahoma!, My Fair Lady, Mary Poppins, A Chorus Line (Grammy Nomination), South Pacific (Grammy Nomination), Promises Promises, A Christmas Story, Cinderella and The King & I.
Selected Broadway/national tours: Summer: The Donna Summer Musical, The Band’s Visit, Prince of Broadway, Indecent, Bandstand, Sunset Boulevard, Miss Saigon, Dear Evan Hansen, A Bronx Tale, Cats, Falsettos, Disaster!, School of Rock, Les Misérables, The Heiress, The Phantom of the Opera, Billy Elliot, Shrek, Spamalot, …Spelling Bee, The Producers, Mamma Mia!, Jersey Boys. Off-Broadway: Smokey Joe’s Café, Jersey Boys, Here Lies Love. www.tararubincasting.com
Broadway: War Paint, Hedwig and the Angry Inch, American Idiot and Grey Gardens. Directing: Mona Mansour’s Unseen (Old Globe), Tokio Confidential (Atlantic), The Comedy of Errors (Williamstown). Film: Auld Lang Syne. Drama League, Boris Sagal and Fulbright fellowships. MFA UT Austin.
Broadway: Head Over Heels (Associate Choreographer), Cats revival (Assistant Choreographer), Falsettos revival (Assistant Choreographer). Off-Broadway: Pride and Prejudice at Cherry Lane Theatre (Choreographer). Artistic Director of ELSCO Dance Company. Love to cast, crew, Drew, Mom and Matt. Instagram: @ellenorescott
Broadway music coordinator: My Fair Lady, Come From Away, Sunset Boulevard, Cats, The King and I, Fiddler on the Roof, Evita, Mary Poppins, South Pacific, Jesus Christ Superstar, Riverdance. Music director/conductor: The Phantom of the Opera. Grammy winner (six-time Grammy nominee) and Emmy Award. Recordings: Joshua Bell; Itzhak Perlman; Lang Lang; Placido Domingo; Renée Fleming; Eldar; My Fair Lady; Hadestown; West Side Story; Fiddler on the Roof; The King and I; Promises, Promises; South Pacific; Elf.
is Hillary Blanken, Ana Rose Greene, Guy Kwan, Joseph DeLuise, Christopher Batstone, Victoria Bullard, Ross Leonard and Sadie Alisa. Over the last 20 years, JSP has helped create over 60 Broadway and Off-Broadway productions, over 20 national tours. Currently on Broadway: The Prom, The Band’s Visit, Harry Potter and the Cursed Child, Once on this Island, Dear Evan Hansen, Come From Away, Waitress, Beautiful and Charlie and the Chocolate Factory tour.
As Executive/Creative Producer: Rocky (Hamburg, Broadway, Stuttgart); Blue Man Group (Berlin, London, Tokyo, Amsterdam, Zurich, Seoul, U.S. national tour). Disney Theatrical International Executive Producer: The Lion King (Hamburg, Amsterdam, Sydney); Elton John’s Aida (Essen, Amsterdam); Beauty and the Beast (São Paulo, Mexico City); Hunchback of Notre Dame (Berlin). General management Broadway: Chicago, Falsettos, Haarlem Nocturne, Into the Light, Baby, All My Sons, Orpheus Descending.
Over the last 20 years, SpotCo has represented over 450 clients, from live theater and live entertainment to cultural institutions, museums, film, television, publishing and music. We are an energetic staff of 75 dedicated professionals working collaboratively to create brands that speak to consumers online, offline and everywhere. spotnyc.com, Twitter: @spotnyc, Facebook: @spotco, Instagram: @spotco
Boneau/Bryan-Brown, Inc., the most experienced theatrical press agency on Broadway, was formed in 1991 by Chris Boneau and Adrian Bryan-Brown. Together they have worked on more than 400 productions on and off-Broadway, on national tour and in Europe.
In addition to providing public relations services for theatrical productions, Boneau/Bryan-Brown has provided strategic consulting for film events, dance, and the music industry. Boneau/Bryan-Brown also lends its extensive experience to media training for corporations and the arts.
A representative collection of Boneau/Bryan-Brown's current and upcoming clients includes: Archie, Chicago, Choir Boy, The Ferryman, Harry Potter and the Cursed Child, Head Over Heels, The Illusionists, Ink, King Kong, Mean Girls, Moulin Rouge!, The Nap, Once on This Island, The Play That Goes Wrong, Stomp, Summer: The Donna Summer Musical, and Waitress.
is comprised of partners Allan Williams, Aaron Lustbader and Mark Shacket who oversee and supervise The Phantom of the Opera, Kinky Boots, The Band’s Visit, King Kong and The Prom, and the worldwide management of Kinky Boots and Charlie and the Chocolate Factory. Upcoming productions include Moulin Rouge!
Drew is one of Britain’s most sought-after emerging directors and choreographers. He is the Artistic Director of The McOnie Company and a proud Associate Artist at The Old Vic Theatre. Drew won the Olivier Award for Best Theatre Choreography for In the Heights in 2016 and he was nominated for the same award in 2017 for the groundbreaking production of Jesus Christ Superstar at Regent’s Park Open Air Theatre.
Theatre credits as director/choreographer include On the Town (Regent’s Park Open Air Theatre); The Wild Party (The Other Palace); Strictly Ballroom (Toronto/West Yorkshire Playhouse). Theatre credits as a choreographer include Jesus Christ Superstar (Olivier Award Nomination for Best Theatre Choreography 2017 – Regents Park), Kinky Boots (Malmo Opera), In the Heights (Olivier Award Winner for Best Theatre Choreography, WhatsOnStage Award Nomination for Best Choreography, Winner of the Off West End Theatre Award for Best Choreography – Southwark Playhouse and Kings Cross Theatre), The Lorax (Old Vic), Hairspray (BroadwayWorld Award Winner for Best Choreography – U.K. national tour), Bugsy Malone (Lyric Hammersmith), Oklahoma! (U.K. national tour), The Sound of Music (Curve Theatre Leicester), Little Red Riding Hood (NYB), Chicago (Curve Theatre Leicester), West Side Story (NYMT), British Style (collaboration with Matthew Bourne at Buckingham Palace – BBC), Laurel and Hardy (The Watermill), James and the Giant Peach (U.K. national tour), 13 (directed by Jason Robert Brown – West End), Tommy (European tour), Spring Awakening (German premiere – Frankfurt), The Full Monty (German premiere – Frankfurt), Kes (Liverpool Playhouse & U.K. national tour).
For The McOnie Company: Jekyll and Hyde (BroadwayWorld Award Winner for Outstanding Achievement in Dance – Old Vic Theatre), DRUNK! (Curve Theatre Leicester/ The Bridewell Theatre London) which lead to him being nominated for the Emerging Artist Award at the National Dance Awards, Making Midnight (Jermyn Street Theatre/ Latitude Festival) Slaughter (Audience Choice Award Winner – The Place Prize), and Be Mine! (Robin Howard Theatre). Film credits include: Me Before You (directed by Thea Sharrock) and Recordare: Days of Remembrance (pre-selected for the Cannes & Berlin Film Festivals).